Boemo diale:

The Wildness of Introspection

Boemo Diale is a visual artist based in Johannesburg, South Africa. At just 23 years old she was awarded the Tomorrows/Today prize at the Investec Cape Town Art Fair 2024. Through her work, Diale explores themes of spirituality, focusing on tangible objects that explore the wildness of introspection. Her recent and most prominent exploration has been the utilitarian pot or vessel. With bold colours, a playful take on the traditional object harkens to the innocent embodiment of the inner child.

The show, titled ‘Going Home’ under the theme of ‘Inhabiting the Wild’, was inspired by her grandmother’s home with visual elements that spoke to her childhood and upbringing between Rustenberg and Johannesburg. The collection deconstructed her already existing themes to speak on growth and manifestation in abstract and interesting ways. What truly inspires her work? “Everything inspires my work but mostly, my grandmother, my mother, generational curses, nature, African symbolism and ritualistic practices.”

As one of the youngest amongst the participating artists in the Tomorrows/Today prize, Diale even surprised herself when she was chosen as the recipient of South Africa’s most prestigious visual art accolade. The award marked a tangible tipping point in Diale’s career, though with newfound notoriety comes expectation. Diale has quickly had to navigate the landscape of the industry and those who attempt to push certain narratives on young artists. The award allowed her to move into her own studio where Diale became acutely aware of the gift that is the ability to separate her work from her personal space. For artists, having some semblance of a 9 to 5 is rare, for Diale it has been a game changer. 

The prize marks not only praise for Diale’s current body of work but also its potential to resonate profoundly in the future. Diale is currently experimenting with the world of ceramics, bringing the objects she has been painting into physical form. It is a natural progression of her work as it allows for a tactile manifestation of her imagination. Diale’s most recent show titled, Going Home, was her first test batch. “I think it’s been really cool to see the vessel manifest itself into reality, so I’m going to try my hand at that the most this year”. 

What separates Diale from many successful creatives is her awareness of her own story.

I think that my story is not particularly unique. It’s quite nuanced and I think there’s a lot of artists and creatives speaking on similar things, so I really want to connect with people.”

There is a self-awareness in Diale that few possess after great success, perhaps it is her importance on home as a state of being: “It is where I feel inner peace.” There is an ironic parallel between bringing artistic expression into a material existence being rooted in the concept of ‘home’ transcending physical boundaries.

Diale poignantly finishes the interview by offering a few words to her younger self. “Keep making and creating and being inspired by the world around [you]. Everything is going to be okay, and there’s a lot of exciting opportunities that await if you continue to follow your passions.” Passion in Diale’s work resonates deeply because it springs from an exploration of the inner self — translated into a medium comprehensible to the human eye.

What does the future hold for Diale? “I want to continue to develop my story through different mediums and different symbols.” Diale’s newest body of work, The Orange Tree of Lemenong, set against iridescent primordial environments, tropical cutouts and vivid graffitied universes. The work comprises playful layers of ink, pastel and acrylics as well as spray-paint, delving into themes of struggle and vulnerability within her sense of self. The palette reclaims power and agency through her brash expression. The show opened on the 4th of April at the Everard Read Gallery in Cape Town. It will run until 26th April 2024.

Artwork images courtesy of Kalashnikovv Gallery